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FORWARD
The 188 stage Hero’s Journey (Monomyth) is the template upon which the vast majority of successful stories and Hollywood blockbusters are based upon. In fact, ALL of the hundreds of Hollywood movies we have deconstructed (see URL below) are based on this 188+ stage template.
Understanding this template is a priority for story or screenwriters. This is the template you must master if you are to succeed in the craft.
[The terminology is most often metaphoric and applies to all successful stories and screenplays, from The Godfather (1972) to Brokeback Mountain (2006) to Annie Hall (1977) to Lord of the Rings (2003) to Drugstore Cowboy (1989) to Thelma and Louise (1991) to Apocaplyse Now (1979)].
THERE IS ONLY ONE STORY
THE 188 STAGE HERO’S JOURNEY:
a) Attempts to tap into unconscious expectations the audience has regarding what a story is and how it should be told.
b) Gives the writer more structural elements than simply three or four acts, plot points, mid point and so on.
c) Gives you a tangible process for building and releasing dissonance (establishing and achieving catharses, of which there are usually four).
d) Tells you what to write. For example, at a certain stage of the story, the focus should be on the Call to Adventure and the micro elements within.
ABRIDGED TIPS, EXCERPTS AND EXAMPLES (188+ stages of the Hero’s Journey (Monomyth) you need to know about…):
(simply go to www.clickok.co.uk for full details)
*****Comedic Break****
Comedic rest breaks are not uncommon here [around the the time of the Persuading of Allies to Seize the Sword]. In Dances with Wolves (1990), John feels harmony and dances around a fire, pretending to be an Indian. In The Empire Strikes Back (1980), Han feels terrible.
*****Physical Marker*****
The Physical Separation is marked by a Physical Marker. In Romancing the Stone (1984), Jack and Joan have to cross the rope bridge across the gorge. In Butch Cassidy and the Sundance Kid (1969), both have to jump into the river down below to escape their pursuers. In The Godfather (1972), Michael ’s killing of McCluskey is all over the news.
Resisting the Physical Separation. The decision to Transform is often not taken lightly. There is resistance to crossing the Physical Marker. In Butch Cassidy and the Sundance Kid (1969), both have to jump into the river down below to escape their pursuers (Sundance: “I can’t swim.” Butch: “Why you crazy, the fall will probably kill you.”)
Preparing to Physically Separate. In Dances with Wolves (1990), John is tired of waiting to engage with the Indians. He decides to introduce himself.
Learn more…
WRITE THAT SCREENPLAY!
The Complete 188 stage Hero’s Journey and other story structure templates can be found at http://www.clickok.co.uk/
The Managing Creativity and Innovation MBA dissertation, DIY creativity Audit, Powerpoint presentation and Good Idea generator software can be found at http://www.managing-creativity.com/
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Kal Bishop, MBA
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