An aspiring actor should study very deeply the human interaction, the way we act and re-act to each other during conversation of all arts and at different situations. Make a study of how you re-act with the person you are conversing with in real life, especially during dialogue exchange. This can’t be done in real time of course, but you can review it after the conversation has taken place.
Whatever you learn from this seemingly unimportant event will point you in the direction of how to be natural in front of a camera. Acting in front of a camera requires you “not to act” your character, but to “become” the character. Your facial expressions, the timing of gestures, etc, have to be very convincing, because acting in front of the camera is about trying to convince whoever’s watching you, that you are not acting. Of course they know it’s acting, but you have to make them “suspend their belief” for a very short time. That magical moment when you’re in “the moment” as they say in showbiz.
Samuel Goldwyn once said; “The best thing in acting is honesty, once you learn how to fake that, you’re in.”
Go out to places where people meet: clubs, cafes, restaurants. Watch and study how people re-act to one another during conversation. Really study them. Because that is how you learn to act in front of a camera.
The camera, the director, and the viewing public are always quietly telling you or daring you to convince them. Make them belief you’re actually not acting, that your display of emotions and actions or re-actions are real.
I remember when I was first starting out to be an actor. I had the pleasure of studying under Agnes Moorehead and Anthony Quinn; from each of them I learned something different.
From Agnes, I learned the art of re-acting as opposed to acting. Let me explain. Re-acting is what we do all of our lives naturally. We re-act when a friend greets us with a smile and a hug. We return the favor with our actions.
We re-act when we feel pain or sorrow, our minds and bodies control that. So re-acting should be a breeze for all of us. The hard part of acting, is of course the acting and re-acting in a natural manner.
From Anthony I learn to become the character the minute you accept the part. When he was playing the Pope in “The Shoes of the Fisherman” , his wife often complained about there being no sex in the lives because Anthony was indeed the Pope, and the Pope was not allowed to have sex. So, as you can see, Anthony took his part too seriously at time and get in trouble with his wife every so often.
Never-the-less, lessons learned. Re-acting and becoming the character.
But how does one learn to become so many different characters? The simple answer is, “learn from life itself”, from the people around you. The people that we see everyday.
But how does one do just that?
For me, I would ride the bus routes for three to four hours a day going to school on every person that would be on the bus for that particular route. Once a week I would invest 65 cents, and ride the bus to the end of the line, turn around and head back.
All this time I would write down mannerism, dialects, body movement, and speech patterns; anything that I could mimic that was different from me. Those three to four hours and the 65 cents turn out to be the best investment I made in my career.
My little book was full of character information that I could read up on and apply to my craft. Today you can just go the to mall, sit and observe people all day long. When you find someone that catches your fancy, study them from a distance; so that you don’t appear to be a stoker.
Of course you can always pay to learn character idiosyncrasies. But why would you do that when the whole world is available.
Acting for the stage and film are quiet different. In as much as stage acting is very physical;. big body movements, exaggerations, even a whisper is shouted. The reverse happens in film, subtle moves and expressions are more noticeable because of the proximity of the camera. Each media has it’s own requirements. It would be wise, as an actor, to study both and then learn to apply them accordingly.
What we as actors must learn, is to use the power of concentration. When we concentrate we become one with the object of thought and lose ourselves in it.
Some other writer wrote on becoming a character;
-”The greatness of an actor lies in the fact that he forgets himself in the portrayal of his character, becoming so identified with it, that the audience is swayed by the realism of the performance.”
-What actors strive for is becoming one with one’s self, what the Zen folks would call the “is-ness” and the “such-ness” of everyday life. Actors need to seem natural in their roles.
-A natural performance isn’t one that is spontaneous; it is contrived to seem spontaneous.
-It isn’t “sincere.” It is the opposite. It is a lie, a deception. A person is pretending to be something he isn’t.
A lot of effort is put into making the role seem genuine. It’s art, because the art doesn’t show.
Here’s where taking the bus trip or going to the mall helps you with different character triads. All your efforts are rewarded. You’ll be surprised what you can achieve by combining your talent with your study of people.
Fernando Rio is a working producer in Florida. He’s editor in chief of An Actors Life For Me website. Feel ree to check it out here: http://www.anactorslifeforme.com . He is also the author of several programs that teach how to make many with your voice. For information drop an email at keyactors@bellsouth.net