Before we get knee deep in this thing there’s some basic definitions we need to visit and go over; but before we do, I must say this plainly: a lot of the music currently classified as Hip Hop I personally would classify as GARBAGE, but I guess since there’s no genre for that it all some how gets grouped with Hip Hop.
So when I refer to Hip Hop I am referring to it in its current state and how it is viewed by too many (so Hip Hop Heads before you come at me with what Hip Hop is, believe me when I tell you I know what it is)
WHORE:1. A prostitute.
2. A person considered sexually promiscuous.
3. A person considered as having compromised principles for personal gain.
whored, whoring, whores
1. To associate or have sexual relations with prostitutes or a prostitute.
2. To accept payment in exchange for sexual relations.
3. To compromise one’s principles for personal gain.
PIMP:
1. A person, esp. a man, who solicits customers for a prostitute or a brothel, usually in return for a share of the earnings; pander; procurer.
2. A despicable person.
3. Australia and New Zealand. an informer; stool pigeon.
4. To act as a pimp.
5. To act as a pimp for.
6. To exploit.HIP-HOP
1. A popular urban youth culture, closely associated with rap music and with the style and fashions of African-American inner-city residents.
2. Rap music.
Although many rappers commonly refer to themselves as pimps and seem to take pride in treating women like whores, the fact of the matter is by definition many record labels are pimps and their rappers are whores.
Since Don Imus’ asinine remarks, Hip Hop has come under attack, with the focus being on individual rappers rather than the record labels that exploit, market, and promote these rappers. It is unfair to condemn the whore and excuse the pimp.
For years record labels have shunned, shelved, turned away and flat out refused to support some of the most talented Hip Hop artists because of their strong messages and substance filled songs. Rather than give such artists a voice, record labels have chosen to create and profit off of modern day minstrels, that reinforce racial stereotypes, promote deviant behavior, spew misogyny, materialism, and glamorize the ills of “hood” life.
Hip Hop is a frontier being raped, pillaged, robbed, & exploited. Record labels are pimping rappers who are willingly whoring themselves and the Hip Hop culture for personal gain!
In 1988 KRS-ONE said:
Rap is like a set-up, a lot of games
A lot of suckas with colorful names
I’m so-and-so, I’m this, I’m that
Huh, but they all just wick-wick-wack…Some mcs be talkin and talkin
Tryin to show how black people are walkin
But I don’t walk this way to portray
Or reinforce stereotypes of today
Like all my brothas eat chicken and watermelon
Talk broken English and drug sellin
See I’m telling, and teaching real facts…The way some act in rap is kind of wack
And it lacks creativity and intelligence
But they don’t care cause the company is sellin it…
Record labels are responsible for everything wrong with Hip Hop and the rappers that participate and comply are accomplices.
In 2007 Tommy Lockhart says:
Are you helping it or hurting it?
Moving forward or reversing it?
Giving life or murdering?
And I’m talking to you
You know who you are
Mr. Big Time Celebrity Gangsta Rap star
What about the kids?
You to cool to care?
You just want them to cop your wack record
And gear to wear
And with the proceeds
You know you won’t feed
None of those peeps
That you claim to lead
You claim to love the hood
Always holler it
But when its time to represent
They don’t put they dollars in
Cause they don’t really care about us…
Support real Hip Hop. You might not find it on the radio, you may not see it on MTV, or BET; but it’s out there! Long Live Hip Hop.
Marenda Hughes Taylor is Chief Operating Officer of 1st Love Records http://www.1stloverecords.com, a living life abundantly motivator, an Internet business owner and mentor. You can visit her websites at http://marenda.biz and http://paidinfulldaily.com